As of May 01, 2008 all astronomy cameras which leave the factory will be shipped in consumer orientated packaging. The following short video (1min:22sec) illustrates the new box and the unpacking of a DMK astronomy camera.
Please click on the play arrow to start the video:
Disclaimer: This text is part of a five part series, which was originally published in the UK magazine Astronomy Now. The text is copyright Pole Star Publications Ltd, the publisher of the magazine and the images are copyright Nick Howes, the astro-photographer. Text and images have been reproduced here with kind permission of Astronomy Now and Nick Howes respectively.
The CD installs drivers (The Imaging Source supply drivers for Windows XP, Windows Vista (fully supported) and Apple Mac OSX, so no imagers are left out in the cold), that are supported by a wide range of popular applications such as K3CCD, Registax and PHD Guiding (both cameras, through their high sensitivity, will make excellent autoguiders as well), along with a really superb and fully featured imaging package known as IC Capture.AS.
The feeling that this is a package that has been crafted with quality at the forefront of the design continues when you launch IC Capture.AS, which is available also as a free trial version download on The Imaging Source website.
At launch, the application allows you to select the camera that you have connected, and then presents you with a wealth of control over your chosen device. A highly intuitive menu structure, which can even automatically configure all of the controls supported by your camera model, makes the configuration of the camera seem like child’s play.
Comprehensive and yet still simple to follow, it has you arming the camera to record video with frame rates ranging from a low 3.75 to 60 frames per second for the DMK 21AU04.AS, and 3.75 to 15 frames per second for the DMK 41AU02.AS.
The image capture can be either uncompressed, or a range of compression video codecs. The video stream output modes are supported in applications like Registax version 4. To maintain the absolute highest quality, most people will opt for either the uncompressed mode, or The Imaging Source’s preferred lossless codec, which is referenced in the quick start guide, though be aware that at 60 frames per second you will need a good, fast hard disk drive and plenty of space, as it will fill up quickly.
My relatively old Pentium 4 Hewlett Packard laptop coped perfectly well at all frame rates with almost no examples of any frame drop-out. The clever thing in this application is not only can you record video, but you can also pause and then resume the incoming video stream, which is perfect for when clouds go by, or the seeing becomes too poor for a while.
Disclaimer: This text is part of a five part series, which was originally published in the UK magazine Astronomy Now. The text is copyright Pole Star Publications Ltd, the publisher of the magazine and the images are copyright Nick Howes, the astro-photographer. Text and images have been reproduced here with kind permission of Astronomy Now and Nick Howes respectively.
The Imaging Source make a vast number of cameras, with a range of interface types, including IEEE 1394, commonly referred to as Firewire. As most PC laptops however tend to have a four pin DV/Firewire interface, the cameras of this type need additional power supplies. Mac owners usually have the better six or nine pin options, which provide power down the 1394 cable. For this review, The Imaging Source provided the much more convenient USB models, so power was not an issue.
The DMK 21AU04.AS (snappy name!) utilises the sensitive Sony ICX098BL chipset, which combined with the ultra-fast USB 2.0 interface, can deliver up to 60 frames per second of 640×480 uncompressed video. The larger Sony ICX205AL in the second model, the DMK 41AU02.AS, delivers a huge 1280×960 resolution, which over USB 2.0 can deliver up to 15 frames per second uncompressed. Both cameras are able to act as deep sky imaging devices as well, with image exposure times up to a whopping 60 minutes.
The first thing that strikes you about both cameras is the build quality. The rugged metal casing and the screw-on end cap to keep out dust are both compact but surprisingly heavy (though not too heavy to affect a typical telescope balance), and feel like something you know is never going to let you down. Even the supplied 1.25-inch nose piece is made of metal.
The package comes with a well thought out and multi-language quick start sheet, which guides you through a painless installation of the drivers. Coming from a software development background, it is always good to see a well-written and professionally designed installation suite.
The software package also includes a software development kit for programmers of applications aimed at supporting The Imaging Source range. The software really does ooze quality, and within a few minutes you are literally up and running.
Unlike Firewire cameras, the USB variety have just one cable to connect to your laptop, so there is absolutely no need ever to plug in a separate power supply, which is a real boost for imagers in the field.
Disclaimer: This text is part of a five part series, which was originally published in the UK magazine Astronomy Now. The text is copyright Pole Star Publications Ltd, the publisher of the magazine and the images are copyright Nick Howes, the astro-photographer. Text and images have been reproduced here with kind permission of Astronomy Now and Nick Howes respectively.
Up until the turn of this century, imaging Solar System objects was either something you spent a huge sum of money on a professional CCD on, or you used film.
The images printed in many astronomy books and magazines up to that date, even from the largest professional ground-based telescopes, were often relatively poor. Then, with the coming of the Phillips ToUcam, video images combined with simple to use software to stack and combine them transformed amateur lunar and planetary imaging.
Exponents of such equipment, like Damian Peach, began producing shots of our Solar System’s finest that were often better than any ground-based telescope had been able to deliver over the previous 15–20 years.
After a few years of deserved success, the limitations of the ToUcam, being a USB 1.1 interface, began to become evident. Uncompressed video, something serious imagers required to maintain high quality, was limited to ten frames per second, and the typical sensitivity and colour nature of the CCD of an off-the-shelf ToUcam limited the quality of the final image.
Amateurs modified the ToUcam with more sensitive monochrome CCDs, but still the ten frames per second rate meant that with objects such as Mars or Jupiter, only a certain number of frames could actually be captured before the planet rotated enough to blur the image. This limit in the number of frames, combined with the average seeing, would ultimately determine and limit the final image quality.
Recently, cameras offering much higher frame rates and outstanding sensitivity have become available, two of which, from the leading scientific and industrial manufacturer The Imaging Source, are the subject of this review.
In the May 2008 issue of the UK magazine Astronomy Now, Nick Howes takes a look at two new high quality CCD cameras from The Imaging Source that are set to revolutionise Solar System imaging (his wording). The article is entitled The Imaging Source USB 2.0 CCD cameras and can be found starting on page 73.
The words in the title of this post, constitute the final sentence of Nick’s review!
In co-operation with Astronomy Now, we will be publishing the review here in the astronomy cameras blog, serialized into five sections. One section will be published on each of the following five days.
Below, links to the five sections:
A great thanks goes out to Nick Howes and the editor of the magazine, Keith Cooper, for allowing us to publish this article here.
